One of my drafts for a potential blog entry was exploring how the cast of Peanuts wound up influencing the character designs for other famous comics, even if they weren’t obvious or intentional.
Charlie Brown - Krillin from Dragon Ball.
Sally Brown - Emily Elizabeth from Clifford the Big Red Dog.
Lucy - Cathy’s sales clerk, Mabel
Linus - Izzy from Digimon.
Marcie - Honey from Doonesbury.
Peppermint Patty - arguably Marie Kanker from Ed Edd and Eddy.
And working backwards in terms of influence, Schroeder was likely inspired by Little Lord Fauntleroy.
However, the major difference between Schroeder and those snobby upper-class twits is that Schroeder never lorded his piano talent over his friends, essentially remaining one of the gang, even as his obsession may have weirded them out.
It was argued that Schroeder’s obsession with Beethoven and music was a reflection of Schultz’s dedication to crafting the Peanuts comic strip. But the wonderfully versatile nature of Peanuts makes them widely open to interpretation. If the model fits...
Another rationale is that Lucy is simply too unlikable to be with even in the best of times, being too much of a fussbudget (to put it politely), and that these are children, too young to engage in any serious romance. But the rest of Peanuts is filled with unrequited longing for unattainable lovers. Of the larger secondary cast of Peanuts, Schroeder is the only minor character who isn’t actively interested in pursuing unrequited romance with anyone. His devotion to Beethoven is entirely one-sided, secure in the knowledge that the composer died out centuries ago, his masterpieces preserved to be absorbed and appreciated. (Also, Beethoven is the only adult face to regularly appear in Peanuts.)
 |
| Who else would buy busts of Beethoven in bulk? |
I looked up online to see if anybody else explored this theory further, and was surprised to only find a single Reddit question. The closest alternative in exploring his alleged sexuality was in a blog entry showing potential homoeroticism, the only flaw being that Schroeder never displayed any affection towards any of the boys as well. So with that in mind, let’s break down the fundamentals of why I feel Schroeder is a potential Asexual candidate.
The most obvious example is that Schroeder displays little to no interest to the girls leaning on his piano, finding them more of a distraction and tolerating Lucy at best.
Schroeder isn't totally ignorant about matters of love. He simply doesn't have any inclinations towards it.
The only time we see him flustered is when he’s complimented for his looks, but that could easily be a result of being unaccustomed to being praised for something outside his skill set.
For the most part, Schroeder's fraught relationship with Lucy consisted mainly of Lucy making up the majority of the conversation, resulting in a monologue while he whaled away on his piano, hunched over in a Glenn Gould manner, punctuated by the occasional unwelcome interruption.
Here's a sampling of some of their most memorable dialogues:
Lucy didn't take these constant rejections of her advances well, to the point that she started taking more extreme measures to get his attention.
Silly girl. Removing his obsession in front of him isn’t gong to endear him closer to you. Quite the opposite in fact!
The strip above might come across as being callous, but it could also be read as Schroeder trying to be sympathetic in the only way he knows how.
When it comes to exploring life outside the piano room, Schroeder was most commonly seen on the baseball field, secure in the role of catcher, where Charlie Brown's abysmal pitching averages meant that his delicate hands were in no danger of being injured. In that setting, there was the mini-arc where Lucy said she'd hit a home run in exchange for favors:
Like many Asexuals, I have no interest in getting married, but would be willing to undergo the ritual for someone else’ sake, such as saving someone from a loveless marriage, preserving their hidden sexual orientation or helping their immigration status. In that sense, Schroeder’s willingness to undergo some brief discomfort for the greater good appeals to me as well.
 |
| And if a surrogate can do the job, that would be even better. |
As with any discussion of publication over the course of 50 years, anomalies are bound to crop up, so let's get these examples out of the way. One of the rare instances where Schroeder showed genuine concern was when Lucy temporarily moved away.
However, when Lucy moved back, Schroeder showed no notice to her presence, so it's difficult to tell if he was affected or not.
The biggest argument that Schroeder might not be considered Asexual (Aromantic at the very least) would be this Sunday comic which could be the exception that proves the rule.
Let's break the scene down. Lucy gives a cupcake commemorating the birth of his favorite composer when she normally doesn't display rudimentary knowledge about music, after which Schroeder gives a peck on the cheek unprompted. And when she runs away screaming, makes an effort to correct her misunderstanding. When Schroeder isn't pressured into displaying signs of affection, he's more likely to reciprocate in kind.
There's also this moment where Schroeder gives the most impassionate speech he ever made that wasn't related to baseball or Beethoven, on Violet giving a pity Valentine. He clearly has thoughts on the subject.
 |
| Of course, Charlie Brown is so starved for affection he'll take whatever breadcrumbs come his way. |
In closing, it feels appropriate to borrow a line from Citizen Kane: “A toast, Jedediah, to love on my terms. Those are the only terms anybody ever knows - his own.”
